How awards season comedy reflects the entertainment landscape
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Jeff Bezos and Reed Hastings; Image Credit: Gregg Kilday — The Hollywood Report
This year’s Academy Awards were truly unique. For once, I’m not talking about that tiny incident in the last 5 minutes of a 5 hour-long show that made history (Oh PwC… you were 17 years away from a perfect 100-year streak at the Oscars: it’s going to take more than R/GA to save you).
No. I’m actually talking about how this was the first year that a tech juggernaut won an Oscar. In fact not just one, but two of them won Oscars. Wow! The media world has really changed, uh?
It seemed like just a few years ago that Jimmy Kimmel was cracking jokes in his Primetime Emmys monologue about how none of the major TV networks had been nominated for the Drama category. Those were simpler times. That was in 2012. 5 years ago. Back then, for awards purposes, ‘old media’ were broadcast networks and pay-TV cable was where interesting and high quality content had its home, with its knight in shiny armour HBO leading the charge.
“It was a big year for cable. For the first time ever, none of the four major networks were nominated in the drama category. And you can’t ignore that. The academy is sending a pretty clear message. And that message is ‘Show us your boobs.’” — Jimmy Kimmel at the 64th Primetime Emmy Awards
It seemed like there was no stopping HBO back then. That year they had been nominated for an impressive 81 Emmys and had won 23 of them, the most of any network that year for the 11th consecutive year — as their press-releases like to read.
But fast forward… just one year… to 2013 and the press outlets were splattering a different kind of news after that year’s Primetime Emmys: David Fincher had just won the Emmy for Outstanding Directing for a Drama Series for House of Cards, making Netflix the first online video provider to ever win an Emmy. And this was just the first year that they’d been nominated! Television was under transformation and Neil Patrick Harris’ opened his monologue accordingly.
“Welcome to the 65th Primetime Emmy Awards. Tonight we celebrate the best of television. For our younger audiences that’s the thing you watch on your phones.” — Neil Patrick Harris at the 65th Primetime Emmy Awards
The winds were changing. By next year’s Emmys with Seth Meyers, the butt of the host’s jokes was still network television. But the punchline wasn’t just cable TV anymore: it was Netflix.
“That’s right, MTV still has an award show for music videos, even though they no longer show music videos. That’s like network TV holding an awards show and giving all the trophies to cable and Netflix.” — Seth Meyers at the 66th Primetime Emmy Awards
Netflix (and Amazon) would go on to become major players in the television awards game, with shows like Transparent, House of Cards, etc. In 2015 they made the press go wild by being nominated in the best series categories. And despite not exactly cleaning up, they tallied up a joint total of 46 Emmy nominations. The next year that number had rose up to 70, definitely planting the streaming flag on TV land.
The scene was a dark one at a site that was once called the Nokia Theatre L.A. Live, only to be ironically rebranded as the Microsoft Theatre. But a few blocks away from Downtown, at the iconic Kodak Theatre in Hollywood where the Academy Awards are hosted, things were very different.
For years, light celebrity roasts and larger-than-life political statements reigned supreme at the Oscars, peppered with a few brilliant industry in-jokes. Who can forget those two amazing consecutive jabs that Billy Crystal delivered at Orion films in 1991 and 1992?
“‘Awakenings’ is a film about people coming out of coma; ‘Reversal of Fortune’ is about someone going into a coma, and ‘Dances With Wolves’ was made by a studio in a coma.” — Billy Crystal at the 63rd Academy Awards
“Take a great studio like Orion: a few years ago Orion released Platoon, it wins Best Picture. Amadeus, Best Picture. Last year, they released Dances with Wolves wins Best Picture. This year The Silence of the Lambs is nominated for Best Picture. And they can’t afford to have another hit!” — Billy Crystal at the 64th Academy Awards
Despite some hilarious M&A jokes here and there, the movie business didn’t have an equivalent hotshot contender like the cable industry to worry about. In fact, since 1990 the large majority of Best Picture Oscars had indeed gone to major film studios, with Miramax, Universal and Warner Bros. ranking up 4 wins each. Sure, there were up and coming production companies and studios to worry about. But an industry has to have an appropriate level of competition for it to produce quality products. And above all else, pretty much all of these companies had been founded by old studio execs with very good relationships in Hollywood who just wanted to do movies on their own terms. A good example of this is Spielberg’s Amblin Entertainment which produced Schindler’s List, winner of the 1993 Oscar for Best Picture. It’s hard to think of Amblin Entertainment and other well-connected new companies as the young turks of Hollywood, much less the proverbial industry outsiders.
It would take until 2006 for the Academy to openly joke about what was to come, when Jon Stewart made the controversial joke about piracy in the movie business, a first since the late 1980s VCR jokes.
“Let’s face it hasn’t been the best year for Hollywood. The box office was a little bit down. And piracy continues to be a problem. So let me just say if there’s anyone out there involved in illegal movie piracy, don’t do it. Take a good look at these people. These are the people you’re stealing from. Look at them! Face what you’ve done! There are women here who could barely afford enough gown to cover their breasts.” — Jon Stewart at the 78th Academy Awards
Back then the movie business was waging a struggling war with online piracy. LEK had done an analysis for the Motion Picture Association of America where it had laid down the impressive stat: The major U.S motion picture studios had lost $6.1 billion in 2005 to piracy worldwide. This was the same year that TorrentFreak launched, the same year Grokster loss their landmark case against MGM, and the same year that BitTorrent was forced by the MPAA to remove links to illegal content on their website. Consumers’ habits were irreversibly changing and the industry was irresponsibly lagging.
Then along came 2017.
The Golden Globes have the particularity of celebrating the best of what both television and cinema have to offer. Yet there’s a common saying that the Golden Globes serve as good prelude for the Oscars. So after Amazon received 11 nominations, Jimmy Fallon’s joke at the Golden Globes’ opening monologue shouldn’t have come as a surprise.
“Jeff Bezos is here tonight— he actually arrived yesterday, but no one was around to sign for him” — Jimmy Fallon at the 74th Golden Globe Awards
Not only did it not come as a surprise, but it also served as an appetiser for what was to follow. That night Amazon went on to make history: Casey Affleck’s win for Manchester by the Sea was the first time Amazon won a Golden Globe for a feature film. In fact, this was the first time any online service had achieved that accolade. Golden Globes had been awarded to Netflix and Amazon before, but they had been only awarded for the television categories. The way was paved for the rest of the awards season.
A lot of people tend to think that, just like the Golden Globes, the entire awards season is just a big ratings-bait operation before the Oscars. So after Amazon placing second in the the number of film nominations at the SAG Awards in January and then scoring, alongside Netflix, their first BAFTA Film awards in February, things were getting hot for the Academy Awards.
5 years after his Emmy cable joke, Jimmy Kimmel was closing the loop: he was joking on how the movie business had changed forever, giving Jeff Bezos a free cameo and catapulting Amazon, the outsider, onto the movie-business pantheon.
“The movie business is changing, for the first time ever Amazon is represented at the Academy Awards. Amazon is the first streaming service nominated for Best Picture. “Jeff Bezos is the founder and CEO, and I want to say, congratulations to Jeff. And I also want you to know Jeff, if you win tonight, you can expect your Oscar to arrive in 2 to 5 business days, possibly stolen by a GrubHub delivery man.”— Jimmy Kimmel at the 74th Golden Globe Awards
That night made 2017 the most important year ever for online streaming, video platforms and this new age of tech-meets-media companies. Amazon won three Oscars, with Manchester by the Sea taking home best original screenplay and best picture, and The Salesman winning best foreign-language film. Interestingly enough, both of these wins were earned not for production, but rather for distribution. Netflix on the other hand effectively took home the Oscar for best documentary short, putting its original content budget to good use by producing and distributing The White Helmets. But if everyone was talking about both Amazon’s and Netflix’s wins that year, the trinity could have been complete with Google. Personally, I was sad for Google’s incredibly touching VR/360 short movie called Pearl not having won the Oscar for best animated short. If anything, because it actually represented one of the most interesting uses of technology at this year’s Oscars. I wonder how long will we have to wait for the first VR Oscar win? Or Google’s first?
360 Google Spotlight Story: Pearl
Set inside their home, a beloved hatchback, Pearl follows a girl and her dad as they crisscross the country chasing their dreams. It's a story about the gifts we hand down and their power to carry love. And finding grace in the unlikeliest of places.
There’s no other way that anyone can take these Academy Awards but as the sign of times. The film industry has officially been invaded by the tech industry. And especially now that they’ve tasted blood, we might as well get used to the sight of Silicon Valley executives parading around on the red carpet with their favourite movie stars.
DISCLAIMER: PwC, Amazon and TimeWarner, HBO’s owner, have all been my employers in the past, so judge my comments with the appropriate pinch of salt.